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The filmmaker discusses her second feature ‘Love Lies Bleeding’
Director says technology at some point will ‘write a script, direct a movie’
The American screenwriter’s account of four decades in Hollywood is as gossipy and scandalous as you’d expect
Jerry Seinfeld’s new comedy ‘Unfrosted’ imagines the origin story of toaster pastries even while he says ‘the movie business is over’
Zendaya shines in ‘Challengers’, a sensual story of tennis and love; Liam Neeson is a weary hitman in ‘In the Land of Saints and Sinners’; ‘That They May Face the Rising Sun’ is a moving and meditative delight; Paola Cortellesi’s ‘There’s Still Tomorrow’ cleverly channels Italian neorealism; LaKeith Stanfield is a false messiah in ‘The Book of Clarence’; Johnny Depp plays the king to Maïwenn’s mistress in ‘Jeanne du Barry’ — reviews by Danny Leigh and Jonathan Romney
Ireland in the 1970s is the setting for Robert Lorenz’s neo-Western
Paola Cortellesi channels Italian neorealist cinema in a film that pulls off some risky tricks
Irish director Pat Collins’s meditative film measures life’s disappointments against the enduring presence of nature
Josh O’Connor and Mike Faist are rivals in love and on court in Luca Guadagnino’s smart, sensual nail-biter
One of Hollywood’s most successful figures says Buckinghamshire site could be regional base for his Lightstorm3D company
Artist whose fight to establish her identity conflicted with devotion to a driven family
Is Alex Garland’s new movie a war film or a political film? And does it succeed? We discuss with the FT’s Stephen Bush and Topher Forhecz
Swedish-Danish documentary deploys an eclectic barrage of clips for an earnest study
The ‘Star Wars’ star gives a finely calibrated performance as a solitary Oregon office worker with a morbid dream life
Story of the courtesan and lover of Louis XV is heavily wigged and perfumed but the heroine remains an enigma
LaKeith Stanfield stars in a false messiah farce that is not quite a second coming of ‘Monty Python’s Life of Brian’
Her movie about male violence and female independence, ‘There’s Still Tomorrow’, became a phenomenon in Italy
Never remake your heroes merely in a bid for wide appeal
The Hollywood A-lister on playing Benjamin Franklin, why Gordon Gekko is misunderstood — and why acting is all about the hair
HTSI editor Jo Ellison and US finance reporter and men's style columnist Robert Armstrong join to take on the classic 2006 film
A dying man desperately seeks his lost daughter in a belated fourth feature from the ‘Spirit of the Beehive’ director
Sam Taylor-Johnson paints the singer as a chronic romantic but mostly misses her moxie, wit — and demons
Kirsten Dunst is terrifically real as a photojournalist while director Alex Garland glibly plays peekaboo with reality
Follow-up to 2020’s ‘Boys State’ shows that not all model democracies are created equal
How many artisans, animators and experts does it take to build the auteur’s sets?
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