Behind the scenes with Wes AndersonHow many artisans, animators and experts does it take to build the auteur’s sets?The obsessive perfection of the Japanese artisanMeet three makers reinventing three traditional craftsHTSI editor’s letter: introducing ‘future craft’The spring design issue starts here At its Florentine factory, Ginori 1735 still casts a spellA rare glimpse inside the porcelain manufacturer making up to 8,000 pieces every dayCameron Short and Janet Tristram’s school of blockIn Dorset, one couple are taking an ancient artform and stamping it with radical ideasEames, Castiglioni and the legacy of geniusThe scions of two great design dynasties discuss what it takes to carry the flameMore from this SeriesHouseboat for Ho, Simon Starling’s modern ark The Turner Prize-winning artist’s latest project is tale of craft, culture and climate crisisThe living sculptures of Jeremy AndersonInside the fantastical world of the artist’s Brooklyn studio
Behind the scenes with Wes AndersonHow many artisans, animators and experts does it take to build the auteur’s sets?The obsessive perfection of the Japanese artisanMeet three makers reinventing three traditional craftsHTSI editor’s letter: introducing ‘future craft’The spring design issue starts here At its Florentine factory, Ginori 1735 still casts a spellA rare glimpse inside the porcelain manufacturer making up to 8,000 pieces every dayCameron Short and Janet Tristram’s school of blockIn Dorset, one couple are taking an ancient artform and stamping it with radical ideasEames, Castiglioni and the legacy of geniusThe scions of two great design dynasties discuss what it takes to carry the flameMore from this SeriesHouseboat for Ho, Simon Starling’s modern ark The Turner Prize-winning artist’s latest project is tale of craft, culture and climate crisisThe living sculptures of Jeremy AndersonInside the fantastical world of the artist’s Brooklyn studio
